Port Aransas Decorative Tilework

Decorative tilework typically takes the form of mosaic upon the walls, floor, or ceiling of a building. Although decorative tilework was known and extensively practiced in the ancient world (as evidenced in the magnificent mosaics of Pompeii and Herculaneum), it perhaps reached its greatest expression during the Islamic period.

Some places, notably Portugal and São Luís, have a tradition of tilework (called azulejos) on buildings that continues today.

In the United States, decorative tiles were in vogue, especially in southern California, in the 1920s and 1930s. Prominent among art tile makers during this period was Ernest A. Batchelder and Pewabic Pottery.

Port Aransas Digital Tile Decoration

Modern printing techniques and digital manipulation of art and photography have converged in custom tile printing. Dye sublimation and the application of ceramic based toners permit printing on a variety of tile types yielding photographic-quality reproduction. Using digital image capture via scanning or digital cameras, bitmap/raster images can be prepared in Photoshop and other photoediting software programs. Specialized custom-tile printing techniques permit transfer under heat and pressure or the use of high temperature kilns to fuse the picture to the tile substrate. This has become an increasingly popular method of producing custom tile murals for kitchens, showers, and commercial decoration in restaurants, hotels,and corporate lobbies.

Port Aransas Islamic tilework

Perhaps because of the tenets of Muslim law (sharia) which disavow religious icons and images in favor of more abstract and universal representations of the divine, many consider decorative tilework to have reached a pinnacle of expression and detail during the Islamic period. Palaces, public buildings, and mosques were heavily decorated with dense, often massive mosaics and friezes of astonishing complexity. As both the influence and the extent of Islam spread during the Middle Ages this artistic tradition was carried along, finding expression from the gardens and courtyards of Málaga in Moorish Spain to the mosaics of the Hagia Sophia in Constantinople.